Ned Rorem steps out (again)

After gay composer Ned Rorem turned 80 back in 2003, he decided to try some things that he’d not done in a long time, like going into a bar. “Since I don’t drink or smoke anymore, I don’t know what to do in a bar,” says Rorem, who nevertheless went looking for distraction at the Townhouse, a sweaterbar on Manhattan’s upper east side. “I stayed for 28 seconds,” he says. That was long enough for a 38-year-old...
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Richard Daniels, Looking for Apollo

“I dreamed of dancing as a child,” says gay dancer and choreographer Richard Daniel. “But I thought a good Midwestern Jewish boy didn’t go to dance class.” Being a good boy hasn’t been a priority for sometime now, but Daniels, 54, still seems haunted by youth.  How else to explain his fascination with Apollo, the eternally young god of art and creativity? For “Telling Tales,” his program of dances for the...
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Jock Soto, retiring but not slowing down

For more than 20 years, he’s been a star in the most elite realm of classical ballet. But his name is more like ESPN. Jock Soto was a mere 16 years old in 1981 when Peter Martins, director of the New York City Ballet, plucked him out of the company’s school. Just four years later Soto was promoted to the troupe’s top tier of dancers. “At that time I was the youngest principal. I was in shock. It was hard to live up...
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Filmmaker Jim de Seve, rushes for rights & rites

His husband. Her wife. The coupling of these words may cause your tongue to stumble, but for many people in committed gay or lesbian relationships, the terms are longed-for alternatives to euphemisms like partner, companion or lover. Yet there’s far more at stake in the cause of same-sex marriage than just better terminology. Filmmaker and Troy native Jim de Seve, whose documentary “Tying the Knot” opens...
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Anthony de Mare, Power Pianist

“I’m the type, if I see something I tackle it,” says classical pianist Anthony de Mare. And he’s not just speaking figuratively. The pianist, who makes his Carnegie Hall debut on March 15, is known for throwing his bulked-up body fully into his music making. In “Playin’ Myself,” his 2001 show that toured the U.S. and abroad, de Mare recited poetry, sang and even tap danced – all while playing the piano....
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Fred Hersch’s Whitman tunes

“Whitman and his universal message of love and tolerance and embracing real freedom needs to be heard,” says the gay jazz pianist and composer Fred Hersch, discussing his new recording “Leaves of Grass” (Palmetto). The disc features musical settings of the great gay poet Walt Whitman and coincides with the 150th anniversary of the first publication of the landmark collection “Leaves of Grass.” “Just as Whitman...
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Basil Twist’s wings, webs and strings

“Striking frogs and getting fairies ready!” It’s the first rehearsal for act one, scene one of “Sleeping Beauty,” and Basil Twist is telling the frogs how high to hop (and when to “strike,” or leave the stage) and the winged fairies how to glide through the air with grace. A crew of 12 young puppeteers does its best to make the creatures respond. Twist and his company have come to...
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Leonard Bernstein, Still on the rise

It would be easy to say that 14 years after the death of Leonard Bernstein, the legendary American composer, conductor and educator casts a long shadow.  But sunsets, darkness and shadows are just not the right metaphors.  Bernstein is still a star, and his glowing light seems stronger than ever. Some evidence: Almost 50 years after its premiere, “West Side Story” receives an average of 300 productions a year...
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Joseph Fennimore, Listening for sensual satisfaction

With typical brevity and wit, Joseph Fennimore has already composed his own epitaph: “Often wrong. Never in doubt.” It speaks well to the contradictions and apparent folly of Fennimore’s livelihood. In a society where high art is little valued, he’s a driven and earnest composer who refers to his pieces as “ditties.” Also a virtuoso pianist who studied with the legendary teacher Rosina Lhevinne – as did...
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Francesca Zambello, Standing up to armies, singers, waiters

Picture the multitude of soldiers, horses and weapons that populated the recent blockbuster film “Troy.” Add in myriad satyrs, nymphs and fauns plus a score of ego-driven opera singers. Then squeeze them all onto a stage for four hours and you’ll begin to grasp the job of Francesca Zambello, who directed “Les Troyens” last year at the Metropolitan Opera in New York City. Zambello is an opera director. In other...
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