The “Chamberization” of Sondheim musicals

Stephen Sondheim musicals keep getting revived, often in chamber versions, and at 79, he’s still writing songs as well as a two-volume treatise on theater and lyrics. “Sondheim Makes His Entrance Again, Intimately” by Patrick Healy (New York Times, January 3, 2010)
read more

Opera review: “Damnation of Faust” (Berlioz/Lepage), Met 11/17/09

Opera review: “Damnation of Faust” (Berlioz/Lepage), Met 11/17/09
Last Tuesday night in New York I was the guest at a lovely little dinner party at the home of Denes Striny.  He’s a tenor and voice teacher and later that evening his most famous student, soprano Lauren Flanigan, would be starring in a revival of Hugo Weisgall’s “Esther” at the New York City Opera.  We’ve become friends because we are both former students of Michael Cordovana, a retired assistant conductor from...
read more

Hard working Eve Beglarian traverses the Lazy Mississippi

Hard working Eve Beglarian traverses the Lazy Mississippi
After being a fixture in lower Manhattan for several decades, lesbian composer Eve Beglarian has gone on a yearlong quest in search of America. For her exploration of the heartland she’s traversing our continent’s major artery, the Mississippi River. Her journey began in August at the river’s headwaters in Lake Itasca, Minnesota. With a car, a kayak, and a bike, plus the company of various fellow travelers (friends who...
read more

Opera review: Big Men of (dubious) Merit

Perhaps it’s all because of his iconic name but composer John Adams has a knack for making headline works, pieces that become the talk of a season. With a title like “Nixon in China,” his first opera was guaranteed to garner attention back in 1987. It didn’t hurt that the work itself was colorful, humorous and insightful.Adams has continued in the so-called CNN-school of American opera with “The...
read more

Leonard Bernstein, Still on the rise

It would be easy to say that 14 years after the death of Leonard Bernstein, the legendary American composer, conductor and educator casts a long shadow.  But sunsets, darkness and shadows are just not the right metaphors.  Bernstein is still a star, and his glowing light seems stronger than ever. Some evidence: Almost 50 years after its premiere, “West Side Story” receives an average of 300 productions a year...
read more