Disappointed that the Naxos recording of Bernstein’s Mass with Jubilant Sykes as the celebrant and Marin Alsop conducting the Baltimore Symphony Orchestra didn’t win a Grammy last Sunday. I heard the performance at Carnegie Hall in October 2008 and loved it.  But it was a weird weekend in Manhattan, with the joy of Mass one night followed by the deadly experience of Adam’s Doctor Atomic the next (full review). Mass...

The Sunday Times Magazine featured a rather definitive profile (4,500 words!) of jazz composer/pianist Fred Hersch. Writer David Hadjdu (author of the Billy Strayhorn biography “Lush Life”) calls Fred’s music, “luxurious, free-flowing, unashamedly gorgeous” and shows how it’s beauty has been out of step with the traditionalist currents of jazz but also prophetic of a new trend just arriving....

Thanks to all of you who visit this site, My Big Gay Ears surpassed 5,000 hits today. That’s since launching in late September 2009. But only 13 comments?? Come on folks, let’s get some conversation going! I invite you to consider this posting an open forum for ideas and suggestions on how to build on the site, help promote out musicians, and encourage new talents — or whatever else you think MyBigGayEars...

Composer Jennifer Higdon earned her first Grammy Award, in the category of best contemporary classical composition, and guitarist Sharon Isbin earned her second, as best instrumental soloist. The awards were announced in Los Angeles prior to the telecast.  Higdon’s winning piece was a pecussion concerto performed by Colin Currie with Marin Alsop conducting the London Philharmonic Orchestra.  Isbin won for her disc...

“Horowitz once said that there were three types of pianist: Jewish, gay, and bad,” writes Stephen Hough on his blog for The Telegraph.  The entry was prompted by a a listener and psychologist who sensed gayness in Hough’s playing and delved deeper. Continues Hough, “Was the earlier age of repression and illegality – the fear of policemen waiting at the dressing room door – a reason for the loneliness...

Twelve Songs by Charles Ives Theo Bleckmann and Kneebody Theo Bleckmann could sing me to sleep anytime he likes, even if he doesn’t want to snuggle.  The German-born, New York-based singer and composer has got a warm and engaging voice and oodles of good taste and insight.  He’s given an imaginative yet intimate treatment to songs of Charles Ives in a new disc with the experimental quintet Kneebody. The CD on Winter...

Apparently Earl Wild lived up to his name.  The virtuoso pianist who died on January 22 at age 94 was out for most of his life, and promiscuous with music as well as men, though he is survived by a partner of 38 years Michael Rolland Davis. Wild’s repertoire was enormous and his performance style grandly romantic.  He transcribed all kinds of things for the piano and also composed.  And to those taken into confidence...

A Brooklyn resident and Texas native, Corey Dargel is a 32 year-old composer and singer.  His music has appeared on NPR and even merited a Tweet from Rachel Maddow. After catching a performance of Dargel at Here in Manhattan, Alex Ross wrote: “Gaunt in appearance and impish in spirit, he sings in a plaintive, innocent-sounding voice, his texts zigzagging between raw confession and cerebral absurdity.” What are you working...

The contemporary performing arts in New York have no better friend than GWEN DEELY. She’s as devoted and busy an audience member as they come.  (All the more so, since she’s got a day job and doesn’t get free tickets like us critics.) I visit her in Manhattan regularly and she always gives me a report of the great events she’s attended. This year she seemed to have had a lot of peak experiences, including her own...

Sharon Isbin performed solo and with Joshua Bell in an Evening of Classical Music at the White House on November 4. Here’s a shot of the First Listeners taking it in, followed by two beautiful clips, compliments of the White House. In the first, Sharon performs Albeniz’s Asturias and Mangoré’s Waltz Op. 8, No. 4, then it’s a duet of Paganini’s Cantabile.