“When I hear what we call music, it seems to me that someone is talking… But when I hear traffic… I don’t have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound. What it does is it gets louder and quieter, and higher and lower, and longer and shorter. It does all those things and I’m completely satisfied.”

Most music lovers are interested in composers’ notes, but Vivian Perlis is obsessed with their words.  Interviewing all manner of figures in American music over the past forty years, she’s been a leader in the once emerging, now established field of “oral history.” Perlis’ ten-year association with the late Aaron Copland resulted in their co-authoring his two-volume autobiography.  She’ll give a talk about the...

My friend Chester Biscardi says he wishes he had something gay to tell me about his recent trip to China in May. But two weeks of performances of your music on the other side of the planet is nothing to apologize for. He was featured composer at the Beijing Modern Music Festival and from the look of the photos, he was treated very well.  He kept a detailed journal of the experience and the folks at Sarah Lawrence College,...

The late composer Aaron Copland created a signature American sound in just a few distinctive orchestral works, including Appalachian Spring, Rodeo and Fanfare for the Common Man.  Pungent excerpts from these pieces are a part of every presidential inauguration. But his catalog is deep and not everything in it was one for the ages.  His only full length opera “The Tender Land,” which is currently playing at Glimmerglass...

The concert hall in the woods just outside Woodstock is fondly known as The Maverick. But its summer presentations are often rather traditional servings of chamber music and solo recitals. This Saturday night, pianist Pedja Muzijevic will present a program wildly varied enough to be described as mavericky. Along with Schumann’s “Carnaval” and some little sonatas by Scarlatti, there will be transcriptions of Wager and...

“The Golden Gate” is the latest opera from San Francisco native and Manhattan resident Conrad Cummings. It’s based on the novel by Vikram Seth and was most recently given a staged workshop at Lincoln Center’s Rose Studio. This here new website presents excerpts, synopsis and more.

Last month composer SCOTT PENDER attended a two-week summer music intensive known as the John Duffy Composers Institute, part of the Virginia Arts Festival. But it may as well be called Opera Camp. According to Pender, the sessions are for composers of opera and musical theatre to bring alive their works and get feedback from the collaborating artists and senior composers.  The musical staff consisted of founder John Duffy...

Within moments after the curtain rises on Jorge Martin’s “Before Night Falls,” the hero collapses into his deathbed.  It’s an obvious allusion to all those consumptive operatic heroines of the romantic era and reinforces why the memoir of Cuban writer Renaldo Arenas was such a good choice for a staged adaptation. The Fort Worth Opera premiered the work in two performances at Bass Hall, as part of an early summer...

Fort Worth Texas might be the most conservative area of the country after Orange County California. Last June one of its few gay bars, the Rainbow Lounge, was raided by members of the Fort Worth Police Department and Texas Alcoholic Beverages Commission. Seven people were arrested for drunkenness, though numerous reports say that the individuals were pulled from the crowd randomly and violently.  A 26-year old man was hospitalized...

For 33 years composer Gerald Busby has been a resident at the Chelsea Hotel in Manhattan.  That means he’s pretty much outlasted every other artist who lived there or just passed through, from his mentor Virgil Thomson to Bob Dylan, Janis Joplin, Patti Smith, Leonard Cohen, and Sid Vicious. Journalists and authors love to write about the famous hotel and Gerald is always there to give them a good interview. He’s...