CD review: Bostridge performs Britten

Tenors will forever owe a high note of thanks to the late gay British composer Benjamin Britten, since virtually everyone of his many works featured a glorious role for his lover, the late tenor Peter Pears. One of the most intriguing British singers since Pears is tenor Ian Bostridge who takes up three prime Britten song cycles in a beautiful new recording with the Berlin Philharmonic conducted by Simon Rattle (EMI). Bostridge...
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Jock Soto, retiring but not slowing down

For more than 20 years, he’s been a star in the most elite realm of classical ballet. But his name is more like ESPN. Jock Soto was a mere 16 years old in 1981 when Peter Martins, director of the New York City Ballet, plucked him out of the company’s school. Just four years later Soto was promoted to the troupe’s top tier of dancers. “At that time I was the youngest principal. I was in shock. It was hard to live up...
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Filmmaker Jim de Seve, rushes for rights & rites

His husband. Her wife. The coupling of these words may cause your tongue to stumble, but for many people in committed gay or lesbian relationships, the terms are longed-for alternatives to euphemisms like partner, companion or lover. Yet there’s far more at stake in the cause of same-sex marriage than just better terminology. Filmmaker and Troy native Jim de Seve, whose documentary “Tying the Knot” opens...
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Fred Hersch’s Whitman tunes

“Whitman and his universal message of love and tolerance and embracing real freedom needs to be heard,” says the gay jazz pianist and composer Fred Hersch, discussing his new recording “Leaves of Grass” (Palmetto). The disc features musical settings of the great gay poet Walt Whitman and coincides with the 150th anniversary of the first publication of the landmark collection “Leaves of Grass.” “Just as Whitman...
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Joseph Fennimore, Listening for sensual satisfaction

With typical brevity and wit, Joseph Fennimore has already composed his own epitaph: “Often wrong. Never in doubt.” It speaks well to the contradictions and apparent folly of Fennimore’s livelihood. In a society where high art is little valued, he’s a driven and earnest composer who refers to his pieces as “ditties.” Also a virtuoso pianist who studied with the legendary teacher Rosina Lhevinne – as did...
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Francesca Zambello, Standing up to armies, singers, waiters

Picture the multitude of soldiers, horses and weapons that populated the recent blockbuster film “Troy.” Add in myriad satyrs, nymphs and fauns plus a score of ego-driven opera singers. Then squeeze them all onto a stage for four hours and you’ll begin to grasp the job of Francesca Zambello, who directed “Les Troyens” last year at the Metropolitan Opera in New York City. Zambello is an opera director. In other...
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Ned Rorem, wise sage or playful child, take your pick

The increasing longevity of humans has advantages for composers. Because the music world gets obsessed with birthdays and anniversaries, composers who make it to age 70 and beyond can expect tribute concerts at least every five years, and heightened attention to their music in general. Performers and audiences are led to think, “There’s a living master in our midst we best pay attention.” Two who fit that bill are...
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Gerald Coble & Robert Nunnelly, A collage of studios, art forms, lives

It’s easy to drive right past the town without even noticing it. A smattering of old buildings on Route 29 northeast of Greenwich in Washington County, Battenville sits beside the Batten Kill and was briefly the home of Susan B. Anthony, who taught school there in 1826. In 1971, artists Robert Nunnelley and Gerald Coble bought an 18th-century house to serve as their country home and studio. Since then, the two men –...
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Remembering Lou Harrison’s gentle queer spirit

Composer Lou Harrison, who died in February at age 85, was sometimes called the Santa Claus of contemporary music. He certainly looked the part, with a big belly and a white mustache and beard.  The nickname was apt for other reasons as well: He was a joyous and generous man, and all his life he carried a big bag of toys. That’s what he called his many interests and pursuits. “From the start,” he often said, “I...
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Mark Adamo, Gets women, Likes men

“I would like to think that I had a significant insight into the girls in Little Women because I wasn’t bound by gender roles. On the other hand maybe the answer is – I had two sisters and we grew up in the same house!” Out composer Mark Adamo’s triumphant hit opera  Little Women – with twenty-four productions in less than five years – has astounded critics and endeared audiences to...
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