Film review: “Wild Combination: A Portrait of Arthur Russell” (a film by Matt Wolf)

Film review: "Wild Combination: A Portrait of Arthur Russell" (a film by Matt Wolf)
In the bio-pic “Wild Combination: A Portrait of Arthur Russell,” Allen Ginsberg describes Russell as a poet who sings.  I like that because it puts a finger on why I’ve never connected well with Russell’s music. Lord knows I’ve tried many times, always hoping to sink into the numerous posthumous collections of his music that have come out in recent years.  His songs and instrumentals always feel like sketches to...
read more

Mikhashoff Trust offers funds for composer/pianist collaborations

The estate of the late composer/pianist Yvar Mikhashoff has announced its third year of an innovative funding opportunity to encourage collaborations between young composers and pianists. Guidelines available here. Deadline November 16, 2009.
read more

The beautiful, terrifying music of John Corigliano

The beautiful, terrifying music of John Corigliano
“Those gay composers sure write beautiful music.” Those were a friend’s first words to me during an intermission at a concert late this past spring at the Troy Savings Bank Music Hall.  He could have been speaking of so many different folks, such as the Americans Aaron Copland, Virgil Thomson, or Leonard Bernstein, to name just a few. Or from the classics there’s Tchaikovsky or Handel, for that matter.  But on this...
read more

Richard Daniels, Looking for Apollo

“I dreamed of dancing as a child,” says gay dancer and choreographer Richard Daniel. “But I thought a good Midwestern Jewish boy didn’t go to dance class.” Being a good boy hasn’t been a priority for sometime now, but Daniels, 54, still seems haunted by youth.  How else to explain his fascination with Apollo, the eternally young god of art and creativity? For “Telling Tales,” his program of dances for the...
read more

Jock Soto, retiring but not slowing down

For more than 20 years, he’s been a star in the most elite realm of classical ballet. But his name is more like ESPN. Jock Soto was a mere 16 years old in 1981 when Peter Martins, director of the New York City Ballet, plucked him out of the company’s school. Just four years later Soto was promoted to the troupe’s top tier of dancers. “At that time I was the youngest principal. I was in shock. It was hard to live up...
read more

Anthony de Mare, Power Pianist

“I’m the type, if I see something I tackle it,” says classical pianist Anthony de Mare. And he’s not just speaking figuratively. The pianist, who makes his Carnegie Hall debut on March 15, is known for throwing his bulked-up body fully into his music making. In “Playin’ Myself,” his 2001 show that toured the U.S. and abroad, de Mare recited poetry, sang and even tap danced – all while playing the piano....
read more

Fred Hersch’s Whitman tunes

“Whitman and his universal message of love and tolerance and embracing real freedom needs to be heard,” says the gay jazz pianist and composer Fred Hersch, discussing his new recording “Leaves of Grass” (Palmetto). The disc features musical settings of the great gay poet Walt Whitman and coincides with the 150th anniversary of the first publication of the landmark collection “Leaves of Grass.” “Just as Whitman...
read more

Joseph Fennimore, Listening for sensual satisfaction

With typical brevity and wit, Joseph Fennimore has already composed his own epitaph: “Often wrong. Never in doubt.” It speaks well to the contradictions and apparent folly of Fennimore’s livelihood. In a society where high art is little valued, he’s a driven and earnest composer who refers to his pieces as “ditties.” Also a virtuoso pianist who studied with the legendary teacher Rosina Lhevinne – as did...
read more

Ned Rorem, wise sage or playful child, take your pick

The increasing longevity of humans has advantages for composers. Because the music world gets obsessed with birthdays and anniversaries, composers who make it to age 70 and beyond can expect tribute concerts at least every five years, and heightened attention to their music in general. Performers and audiences are led to think, “There’s a living master in our midst we best pay attention.” Two who fit that bill are...
read more
2 of 212