John Cage in Focus! at Juilliard

Celebrations of the John Cage centennial begin in earnest at Juilliard with the annual Focus! festival dedicated to his music.  The six concerts, running January 27-February 3, are almost all-Cage.  The only exception is the January 30 event titled “Launching the Percussion Revolution” which includes Henry Cowell‘s Ostinato Pianissimo (1934) and Lou Harrison‘s Concerto for Organ with Percussion Orchestra (1973) with soloist Benjamin Sheen. Daniel Druckman leads the Juilliard Percussion Ensemble. Otherwise, the festival features about 38 different works from all stages of Cage’s career.  Festival director Joel Sachs conducts the New Juilliard Ensemble in the final event.  And tickets are free.

Here’s the full rundown of events:

FOCUS! FESTIVAL 2012

SOUNDS RE-IMAGINED: JOHN CAGE AT 100

Friday, January 27, 8 PM, Peter Jay Sharp Theater (Juilliard, 155 West 65th Street)

Lara Secord-Haid, soprano

Davone Tines, bass-baritone

59 ½” For a String Player (1953)

Nocturne for Violin and Piano (1947)

Living Room Music (1940)

In a Landscape (1948)

Theater Piece (1960)

Postcard from Heaven (1982)

Imaginary Landscape No. 4 (March No. 2) (1951)

The Südwest Juilliard Radio Orchestra, Joel Sachs, founding conductor

Aria 2 and 2B, from Song Books Vol. 1 (1970) with Solos from Concert for Piano and Orchestra (1958)

 

Monday, January 30, 8 PM, Peter Jay Sharp Theater

Juilliard Percussion Ensemble

Daniel Druckman, director

Benjamin Sheen, organ

“Launching the Percussion Revolution”

Henry Cowell – Ostinato Pianissimo (1934)

John Cage – Three2 (1991)

John Cage – Third Construction (1941)

John Cage – Credo In Us (1942)

Lou Harrison – Concerto for Organ with Percussion Orchestra (1973)

 

Tuesday, January 31, 7 PM, Peter Jay Sharp Theater

Pre-Concert Panel with Pia Gilbert, Joan La Barbara, Laura Kuhn, and Margaret Leng Tan

Joel Sachs, moderator

Tuesday, January 31, 8 PM, Peter Jay Sharp Theater

Music for Wind Instruments (1938)

ear for EAR (1983)

Music Walk (1958)

“44 Harmonies” from Apartment House 1776 (1976)

Arr. string quartet by Irvine Arditti

27’10.554” For a Percussionist (1956) with excerpts from 45’ for a Speaker (1954)

 

Wednesday, February 1, 8 PM, Paul Hall (Juilliard, 155 West 65th Street)

The Wonderful Widow of Eighteen Springs (1942)

Nowth Upon Nacht (1984)

But What About the Noise of Crumpling Paper… (1985)

The JPC Ensemble

String Quartet in Four Parts (1950)

Eight Whiskus (1985)

Some of “The Harmony of Maine” (1978)

Sonatas and Interludes, Part III (1946-48)

 

Thursday, February 2, 8 PM, Paul Hall

Five Songs for Contralto (1938)

Six Melodies for Violin and Keyboard (1950)

Imaginary Landscape No. 1 (1939)

Etudes Boreales, Nos. I and III (1978)

Sonnekus2 (1985) with Satie Cabaret Songs

Child of Tree (1975)

The Perilous Night (1944)

 

Friday, February 3, 8 PM, Alice Tully Hall (Broadway and 65th Street)

New Juilliard Ensemble

Joel Sachs, director and conductor

Katya Gruzglina, soprano

Lilla Heinrich Szász, soprano

Nathaniel La Nasa, prepared piano

Allegra Chapman, piano

Fourteen (1990) with Litany for the Whale (1980)

The Seasons (1947)

Concerto for Prepared Piano and Chamber Orchestra (1950-51)

Excerpts from Sixteen Dances (1950-51)

Concert for Piano and Orchestra (1957-58) with Aria (1958)

 

Photo:  John Cage by Rhoda Nathans, Courtesy of the John Cage Trust

Previously on My Big Gay Ears:

John Cage on sound and silence

Cage’s 4’33″ Returns to The Maverick



Leave a Reply