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ProfilesMar 15th, 2005 | Comments Off
“I’m the type, if I see something I tackle it,” says classical pianist Anthony de Mare. And he’s not just speaking figuratively.
The pianist, who makes his Carnegie Hall debut on March 15, is known for throwing his bulked-up body fully into his music making. In “Playin’ Myself,” his 2001 show that toured the U.S. and abroad, de Mare recited poetry, sang and even tap danced – all while playing the piano. “Interdisciplinary pianist” is how he describes himself.
De Mare, 47, has always had a knack for more than music. Accompanied by his older sisters, he started ballet and...
ProfilesMar 1st, 2005 | No Comments
“Whitman and his universal message of love and tolerance and embracing real freedom needs to be heard,” says the gay jazz pianist and composer Fred Hersch, discussing his new recording “Leaves of Grass” (Palmetto).
The disc features musical settings of the great gay poet Walt Whitman and coincides with the 150th anniversary of the first publication of the landmark collection “Leaves of Grass.”
“Just as Whitman is eclectic, the music covers a lot of territory,” says Hersch, who wrote the piece in a mere 6 weeks. “What surprised me the most was how ultimately lyrical this whole...
ProfilesFeb 13th, 2005 | No Comments
“Striking frogs and getting fairies ready!”
It’s the first rehearsal for act one, scene one of “Sleeping Beauty,” and Basil Twist is telling the frogs how high to hop (and when to “strike,” or leave the stage) and the winged fairies how to glide through the air with grace. A crew of 12 young puppeteers does its best to make the creatures respond.
Twist and his company have come to MASS MoCA in North Adams, Mass., for two weeks of work to stage Ottorino Respighi’s 80-minute, three-act puppet opera “La bella dormente nel bosco (Sleeping Beauty...
ProfilesJan 13th, 2005 | No Comments
It would be easy to say that 14 years after the death of Leonard Bernstein, the legendary American composer, conductor and educator casts a long shadow. But sunsets, darkness and shadows are just not the right metaphors. Bernstein is still a star, and his glowing light seems stronger than ever.
Some evidence: Almost 50 years after its premiere, “West Side Story” receives an average of 300 productions a year in the United States and Canada, while the Tony Award-winning Broadway revival of “Wonderful Town” closes on Jan. 30, after having played more than 500 performances....
ProfilesOct 7th, 2004 | No Comments
With typical brevity and wit, Joseph Fennimore has already composed his own epitaph: “Often wrong. Never in doubt.”
It speaks well to the contradictions and apparent folly of Fennimore’s livelihood. In a society where high art is little valued, he’s a driven and earnest composer who refers to his pieces as “ditties.” Also a virtuoso pianist who studied with the legendary teacher Rosina Lhevinne – as did Van Cliburn, Misha Dichter and John Browning – Fennimore’s performances these days are heard mostly on CD.
True artists will identify with Fennimore’s all-consuming...
ProfilesJul 25th, 2004 | No Comments
Picture the multitude of soldiers, horses and weapons that populated the recent blockbuster film “Troy.” Add in myriad satyrs, nymphs and fauns plus a score of ego-driven opera singers. Then squeeze them all onto a stage for four hours and you’ll begin to grasp the job of Francesca Zambello, who directed “Les Troyens” last year at the Metropolitan Opera in New York City.
Zambello is an opera director. In other words, she’s fearless.
Dealing with powerful impresarios, delicate singers and bossy conductors comes with the territory. But Zambello puts it simply, saying, “I’m...
ProfilesJun 4th, 2004 | No Comments
“You’ve decided what you’re going to do, and it’s all you can think about. Everything else is a bother. Going to work is a bother. Going out to get something to eat is a bother.”
Albany artist Kevin Bruce is describing his feelings when in the midst of creating.
“You can spend a whole day painting and not eat and suddenly feel really faint and nauseous and dizzy and sick,” he says. “And you’ll still be like `Oh, I have to work on this more.’ And then you’ll force yourself to go and take care of your body. You really are just getting nutty. That’s...
ProfilesAug 31st, 2003 | No Comments
It was in the basement of a Seattle church in the early 1970s that Pleasant DeSpain knew for sure his commitment to becoming a professional storyteller was going to work out. “I had my hat by the door, and I told stories for two hours,” he says. “At the end of that night, there was $27.68 in that hat. And rent for a decent apartment was $100 back then. I knew then that there was no turning back.”
DeSpain has been telling stories to audiences large and small, old and young ever since. Next month, the Troy resident turns 60 and will have three new books released, drawing to a conclusion his...
ProfilesAug 24th, 2003 | No Comments
The increasing longevity of humans has advantages for composers. Because the music world gets obsessed with birthdays and anniversaries, composers who make it to age 70 and beyond can expect tribute concerts at least every five years, and heightened attention to their music in general. Performers and audiences are led to think, “There’s a living master in our midst we best pay attention.”
Two who fit that bill are Elliott Carter, 95, and Milton Babbitt, 87, both of whom still compose and attend concerts of their music. But before either Carter or Babbitt became senior citizens, they were...
ProfilesJul 4th, 2003 | No Comments
It’s easy to drive right past the town without even noticing it. A smattering of old buildings on Route 29 northeast of Greenwich in Washington County, Battenville sits beside the Batten Kill and was briefly the home of Susan B. Anthony, who taught school there in 1826.
In 1971, artists Robert Nunnelley and Gerald Coble bought an 18th-century house to serve as their country home and studio. Since then, the two men – now in their 70s and a couple for more than four decades – have slowly made the town into their personal arts colony.
First, they restored their four-bedroom house to its...